You don't have to be a millionaire to collect good artwork. The pieces you choose may not be old masters, but if they are originals in good condition by interesting artists, your investment may increase in value over time. This being the case, you want to preserve the work carefully to avoid damage and deterioration. There are simple steps any collector can take to minimize the need for the art restoration New Jersey craftsmen provide.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Some of these same rules apply to oil and acrylic paintings. They should be kept from direct sunlight and, although they are not preserved behind glass, they should not be adhered to the frame in any way. Keeping a painting in the original frame is the best idea. Even if it doesn't exactly go with your room style, you might reduce the overall value of the work by replacing the frame. This is especially true when the frame was chosen by the artist.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
If you collect free standing artwork, you are probably already aware that they are susceptible to being knocked over. A sturdy base will help correct this problem. You might also display these works in areas with enough room for them and family members to co-habit easily.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
One of the most common mistakes restorers see, and one that is easy to avoid, is improper matting. Mat material should have a neutral or alkaline Ph content. The artwork should never to glued, taped, or otherwise mounted to the board. Mat burn occurs when mats, made of improper materials, are affixed to paper works, such as watercolors. Pieces that are not adequately protected from sunlight will fade. Too much light can also cause structural damage to the mat.
If you have to store art pieces, avoid basements and attics. Basements tend to be damp and can damage artworks beyond repair. In a wet atmosphere, they can get moldy and buckle. The mats may end up losing structural integrity in this kind of climate. Attics are often hot and dry. High temperatures can cause paper to contract and tear. A closet in the main area of the house is a better storage option.
Some of these same rules apply to oil and acrylic paintings. They should be kept from direct sunlight and, although they are not preserved behind glass, they should not be adhered to the frame in any way. Keeping a painting in the original frame is the best idea. Even if it doesn't exactly go with your room style, you might reduce the overall value of the work by replacing the frame. This is especially true when the frame was chosen by the artist.
Unless a painting is carefully hung, it can fall and be easily damaged. Torn canvas can be repaired, but it may be difficult and costly. A good framer will attach wire to the back of the frame with d-rings. Cheaper, standard frames may have string, twine, or metal pieces, on the backing, meant to keep the work on a wall. These do not work as well as wire.
People who collect textiles are not always aware of how vulnerable they are to light. Even behind UV glass, textile pieces tend to fade easily unless they are hung in a room with low light. You have to be careful storing these pieces. Contact with any kind of wood, like a cedar chest or cardboard box, will cause staining.
If you collect free standing artwork, you are probably already aware that they are susceptible to being knocked over. A sturdy base will help correct this problem. You might also display these works in areas with enough room for them and family members to co-habit easily.
You may not have masterpieces, but good pieces of art are a financial investment. They need care to survive. Taking simple steps to preserve them is essential if you want future generations to enjoy them.
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